Got something to focus on, two 'new' songs I've put my ears to.
Of course they aren't new - one is from thirty years ago this year, and the other is from thirteen years ago (yeah, only thirteen years).
For the one released in 1985, it was something that has entered and left my mind lazily for the past twelve years or so, in similar fashion as songs like 'It Feels So Good' by Sonique, or 'Sour Girl' by Stone Temple Pilots, or 'Lotus' by R.E.M. Shortly after I first heard it, I recall playing a ball game with my then-friend Myles and Duncan during recess in sixth grade, and having the song blasting in my mind while kicking the ball around.
It was this:
As the background image shows, it was part of the soundtrack to that movie (Three Men & a Baby). I don't recall watching it in full, but I know my mother has it recorded from TV on VHS (something she did constantly throughout the late 80s/early 90s - we have a tub full of ancient VHSs of TV-broadcasted movies of huge range, all written down in faded pen on a label on the side). I do recall watching the movie's introduction however - which is where this song plays. It caught my eye - what I remember is a constant camera pan of wall sketches and drawings that continued on as credits showed on the screen as the song played. The song, like the wall drawings, stayed in my mind.
When I listen to it now, after having it randomly come and go after all this time, I hear exactly what my memory played - a bright chorus with a constant beat, a woman singing this "bad bad boy" refrain, and this resolution at the end. I mapped the root note of that chorus as E flat, which is a bright note/chord to use.
Like the typical 80s song, horns are prevalent and there's your typical booming drums that start the verse at the beginning. The horns are nice; the deep drum fills predictable - and the voice refreshing and attractive.
But to get critical here, there are some things I find problematic or pointless. Like the thirty-second drum introduction. You get nothing but this drum beat for half a minute, nothing else - then the deep booms come in to start the song, almost when you aren't expecting it. Deep booms start virtually every 80s pop song. Booms and horns and saxes and synths dominate 80s songs as string sections and funky bass lines dominate 70s music - while piano, tinkly drums, super-low bass lines and bubbliness dominate 90s stuff.
I find the song awkwardly put together. The progression isn't bad (the music sets the right tone for the song's subject matter) and the chorus is nice, but you only maybe hear it twice with three verses in between, a sort of bridge, and a long fade-out that's the same as the bridge - which has this annoying, faintly loud background vocal refrain of "bad boy, bad boy, boys will be boys" etc. over and over while the vocalist repeats "feeling restless," etc. over top. More could have been done to make it sound more clever and fun, because you find yourself surprised that it's already over, especially considering it may be easy to zone out during that bridge, brief final verse, and long fade out of the same. Yet it's over 4 minutes long. If I like the song, it's the chorus that shines to me, and that's about it. The lyrics are kind of silly when I think about them - "you call me on the phone, it goes ring...ring...ring-a-ring-a-ring..." Nice voice and all, just silly words.
Update May 28: I change my grade. I embedded what appears to be more of a remix of the song rather than the original. I've since listened to that and it's somewhat better - in terms of arrangement anyway (remixes are never chronological or smooth or linear to listen to). The music gets a B+; the lyrics basically stay the same - though I love the sensual-sounding "you naughty" line right before she launches into the chorus. And having seen the music video - what a beauty. Really.
The second song was yet another thing I heard at Wal-Mart. I've heard it a couple of times. To my surprise, the closing assistant manager gave me the name of the band even though the song had already ended by the time I saw him, so that gave me enough to lead me to the right song.
The very first thing you hear (not the ambient noise you actually first hear, the music) was what drew me in. And it came out in 2002. I'm not usually the type to go for this electronic disco stuff, or probably even album covers that are essentially crazy rainbow colours (then again, I quite like a couple of songs off of Cosmic Thing by the B-52's, and I especially like the look, colour, and arrangement of the album cover - just as rainbow-y) but it's the rare funk song that has a sound I find refreshing and clean and enjoyable. I could dance to it. I like the scratchy, tinny-sounding music progression during the "going downtown" refrain (I'll figure out the music in a second). It makes me think of long summer afternoons turning to evenings. It's D-DE-EA...AE-E flat-D. However, I dislike the male vocals during the empty drum verse, particularly the backing vocals that respond to the main vocals. It kind of sounds like he's stuttering and can't immediately remember the next couple of words to sing, and the little responses just make me think those voices are of young children. I'm not into listening to young children chanting. It turns the bit of song into a pep rally for children to me.
But the bass is fast and funky, altering between octaves, the guitar is fun, and the little keyboard bits are just as colourful and nice. The sound of the snare drum changes, which I like. The oddly-named band comes from Denmark, making them the second band from there whose song I kind of like. I say 'oddly-named' because while it's a good creative idea to pair up contrasts in a name, I find this one a little...too contrasted. Too obvious. Almost contrived in its obviousness. 'Celtic Slavics' or 'Canadian Americans' are oxymorons but don't sound as crazily apart or polar from each other as 'Junior Senior' to me.
Seems I've found some great music but not great lyrics. Eh. They're songs I kind of like and may listen to more than often - at least in the latter song's case. Nice to get something new from Denmark. Other than Asteroids Galaxy Tour, the only other music I've heard from them was "Barbie Girl" by Aqua (yet another influence on how I perceive the 90s as blue). Thinking about that thing makes me laugh. I guess the Danish are pretty great at creating funky electronic stuff.
We'll see how these age with me.